That Floating Excrement Was Far Too Meaningful! It's the TV Disappointments of the Past Year.

As we consider the television landscape of the recent year, a selection of series stand out not for their excellence, but for their notable failures. Ranging from awkward spin-offs to confusingly poor documentaries, here are the programmes that had us scratching our heads or just reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Burdened with dreadful scripts, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to find its footing. Briefly, as the third season began, it looked like it had finally found its groove. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the last series. It ended on a bum note; the closeup of Miranda’s loo flooded with poo was simply too on-the-nose. Still, viewers certainly had a hoot picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this drama's problems. The subject of a very rare zero star assessment, it was difficult to know where to begin enumerating the problems. The laughably wooden dialogue? The tedious veneration of wealth and consumption? The almost deliberate parade of cliches? Acting so poor they felt almost spiteful? Let’s just say “each and every one” and never speak of this series again. However, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part docuseries which chuckled along at Sheen’s various bouts of self-destructive excess while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this series might evoke should be reserved for the people who have had to endure proximity with this charming but flippant narcissist.

The Iris Affair

Of course we knew it was ridiculous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy figures meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t suffer the ignominy of having to indulge baffling accents. But there were many other problems. Primarily that it was just profoundly boring; a dispute over narcotics territory between various cockney rogues which felt a bit basic.

With Love, Meghan

Given the degree to which she provokes the ire of certain ostentatiously angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various forays into twee homemaking as intentional statements. But then you view them and are compelled to admit that actually, they may have a point. It’s like watching a homeware magazine come to life; a meme for evening drinks with ideas of grandeur; a procession of snoozing dogs, humming beehives, Hallmark sayings and forgettable crafting “tips” you’ll not remember instantly. All supported by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be discussed about both Victoria Beckham and her journey with career, self-image, self-worth. But for whatever reason, this three-part series opted not to say them. Rather, the experience was like reading a marketing brochure. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any helps with this guarded letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up smelling of a programme that was trying way too hard to emulate something far greater than it.

Too Much

How do you succeed a show that captured a generation? The pressure was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of celebrity cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart recruitment of talented younger comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke stretched to a husk but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled sensitively. Instead, the series struggled painfully to find the right tone, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Very much so.

Prime Target

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the brink of a discovery that could ruin society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for explicit exploits as she undertook her biggest feat yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was disturbing shots and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Nicole Eaton
Nicole Eaton

Alicia Hartwell is a brand strategist and creative director with over a decade of experience in visual storytelling and digital innovation.